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2020; Casts: Javier Bardem; Countries: UK; Writers: Sally Potter. ������ ����� (1874-1963) ��������� � ��� ������ � 1 ��� ����� XX ���� (��� ��� XIX �������� - ���� ������. ���� �� ���������� ������ � ������� ���, ��������� ������� �������������� ������ (1924, 1931, 1937, 1943. Frostiana: Seven Country Songs is a piece for mixed chorus and piano composed in 1959 by Randall Thompson. It was premiered on October 18, 1959, in Amherst, Massachusetts. Thompson later scored the piece for chamber orchestra and chorus, in which version it was first performed on April 23, 1965. ���� ������������� ������ ���� ���������� � ���� "���������" ���� �������� �����) � �������� �� ������ ��� �������� � ���� ��������� ��������� � 1959 ����. 1. "The Road Not Taken" 2. "The Pasture" 3. "Come In" 4. "The Telephone" 5. "A Girl's Garden" 6. "Stopping by Woods on a Snowy Evening" 7. "Choose Something Like a Star" 1. ����������� ���� (������� ������) � The Road Not Taken, ������ ����� (�� ����� "����� ������" 1916) ������� ����� �����������, 2008. ���������� ��� ������ ����� � ������ ���� ��������� ���, ���� �� ������. ������� ������� ��� ����, ����� ������ � �� ���� � ����� �����, ��� �� ����. � ���� ������, ��� ������, �� ������ ��� � ����� ������. ����� ���������� ���� � ��� ������ �������, ��� ���������� ��� ���. � ��� ��� ����� ����, �� ��� ���� ������� ������. ������ ����� ����� ������, ������, ���� �� ��� �����! �� ���� �� � ������� ����. �����-������, ���� ������, �����, �������� � ������: �������� ��� ���� � ���� � � - � ������ ��, ��� ��� �����, � ��� �������� ��... The Road Not Taken, Robert Frost (from "Mountain Interval" 1916. Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveller, long I stood And looked down one as far as I could. To where it bent in the undergrowth, Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear, Though as for that, the passing there Had worn them really about the same, � � � � And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I - I took the one less travelled by, And that has made all the difference...

Beautiful girl, pretty rhythm! It is said that the song was inspired from ROBERT FROST' s poem The Road Not Taken and the girl was only 17 years old when wrote the song. The composer graduated from Peking University, one of the best University in China. She began to study in NewYork Universtiy from July, 2014. Keep punching! Shannie. I believe you wil be a great musician. CREDIT Bruce Weber of The Times is riding his bike from Portland, Ore. to New York City and blogging about it as he goes. He writes that on the road in Montana, a lone cyclist can feel small. Go to related series on the In Transit blog » Were doing something new with our Poetry Pairings starting today. Were still working with the Poetry Foundation to choose a poem and match it with a Times article. But this year, instead of using the works from the American Life in Poetry series, were going to alternate classic poems with contemporary ones each week. Were beginning, today, with perhaps the most-taught American poem there is: Robert Frosts “The Road Not Taken. ” And yes, were putting it together with a Times piece about a journey in which literal and figurative roads are taken and not taken. Our challenge to you? To find other Times articles, photos, essays or opinion pieces with which this familiar poem might also be matched. What do you think “The Road Not Taken, ” a poem published in 1916, still has to say? What echoes of that can you find in Times accounts of our world today? Tell us here. Poem Decades before Elizabeth Alexander read her inaugural poem for President Obama in 2009, Robert Frost was the first poet to take part in a presidential inauguration— he read when President Kennedy was sworn into office in 1961. Robert Frost is one of Americas best-known poets, and his poem “The Road Not Taken, ” with its memorable closing lines, is often quoted. — Poetry Foundation The Road Not Taken By Robert Frost Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim Because it was grassy and wanted wear, Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I marked the first for another day! Yet knowing how way leads on to way I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I, I took the one less traveled by, And that has made all the difference. Times Selection Excerpt In his “Life Is a Wheel” series, Bruce Weber of The Times is riding his bicycle across the United States and blogging about it. In his post “The Loneliness of the Long-Distance Rider, ” he writes from Eureka, Mont. : Im a little homesick. Is it homesickness? Maybe loneliness? Anxiety? Whatever it is, Ive been feeling a little sulky the last few days, less the intrepid traveler and more the kid at camp whos had enough and wants to go home. Im battling that, more than headwinds and hills. The question is why. I lost a friend to cancer a couple of weeks ago, and Im sure thats part of it, but this doesnt feel like grief. Rather, Im blaming it on the solo-ness of this adventure and the sense that the fortitude of any relatively sociable person (like me) is at least partly a function of the nearness and support of, well, those we want to be near and supported by. We can get along fine for a while on our own, but without the fuel of a kiss, a scratch behind the ears, a drink and a laugh with our pals, our self-reliance begins to dissipate like the juice in a cellphone. … Anyway, one thing has occurred to me; Im in the Rockies now, and the landscape is pretty intimidating, the roads slicing between mountains and climbing and dipping along the shores of rushing rivers and majestic lakes. In such a setting, a lone cyclist feels awfully small — and though that kind of humbling can be a thrill, I admit it can make me feel vulnerable, too, especially in the early morning when the air is crisp and chilly and the silence on the highway is broken by a rumbling double trailer truck speeding past at 70 miles an hour. (It isnt cheering that the Montana roadsides are dotted with white crosses, some wreathed in flowers, denoting highway deaths. Putting yourself out in that environment at the beginning of each day takes some self-persuasion and some nervously applied discipline; its easier if you have company. I realize this is a kind of conditioning; your will has to get in shape for a venture like this as much as your legs and your lungs. After reading the poem and article, tell us what you think — or suggest other Times content that could be matched with the poem instead. You can also visit the Poetry Foundation site to take a virtual poetry tour of Washington, D. C. (the stop on presidential inaugurals features Frost) and find more resources about Frost. See more about the collaboration and ideas for using any weeks pairing for teaching and learning ».

I had read it in my school tym❤. English The speaker in "The Road Not Taken" is a person who A. is lost in the woods. B. remembers making a decision. C. is currently standing at a fork in the road. D. likes to walk on a well-beaten path. asked by Anonymous on March 7, 2019 The speaker in "The Road Not Taken" is a person who? A. Is lost in the woods members making a decision currently standing at a forn in the road to walk on a well beaten path. asked by Help me on February 12, 2015 Language Art's 1. )The speaker in "The road not taken" is a person who? 1 Point) A. )Is lost in the woods B. )Remembers making a decision C. )Is currently standing at a fork in the road D. )Likes to walk on a well-beaten path asked by #FreeGucci on February 21, 2016 english 1. The speaker in "The Road Not Taken" is a person who (1 point) is lost in the woods. likes to walk on a well­beaten pat asked by PLZ. CHECK MY WOK~English on February 19, 2015 Language Arts TWO roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; 5 Then took the other, as just as fair, And having asked by Calie on February 9, 2015 The bee is not afraid of me, I know the butterfly; the pretty people in the woods Receive me cordially. The brooks laugh louder when I come, The breezes madder play. Wherefore, mine eyes, thy silver mists? Wherefore, O summer's asked by Anonymous on March 6, 2014 Check my other the road not taken questions 1. Where do frosts roads diverge? Frosts rads diverged in a yellow wood. 2. Which road did the speaker in Frosts poem choose? The speaker took the road that was less traveled upon. 3. In frosts poem, the speaker chooses between asked by Megan on January 22, 2009 Stopping by Woods on a Snowy Evening by Robert Frost Whose woods these are I think I know. His house is in the village, though; He will not see me stopping here To watch his woods fill up with snow. My little horse must think it asked by Emily on July 25, 2018 Poem: The road not taken by Robert Frost Could you check these answers thanks. 1. Where do Frost's roads diverge? Answer: Frost's roads diverge in a yellow wood. Which road did the speaker in Frost's poem choose? Answer: The speaker chose the road that was less asked by Crystal on January 25, 2009 Now do you have any opinions different from the speaker? Raise your hands, please and let us know your different opinions. You can make a counterargument about the speakers insist. The speaker should point to one student, and asked by rfvv on January 23, 2017.

One day Elle Fanning will win Academy award, she's so underrated right now. Oh, I kept the first for another day. Thxxs the poem. Just. Phenomenal. Well, since discovering you're 17, i think i wanna quit writing music! Dayum. Cover of Mountain Interval, copyright page, and page containing the poem "The Road Not Taken" by Robert Frost titl I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves, no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference. [1] " The Road Not Taken " is a well-known poem by Robert Frost, published in 1916 as the first poem in the collection Mountain Interval. Its central theme is the divergence of paths, literal yet also clearly figurative, although its interpretation is noted for being complex and ( like the road fork itself) potentially divergent. History [ edit] Frost spent the years 1912 to 1915 in England, where among his acquaintances was the writer Edward Thomas. Thomas and Frost became close friends and took many walks together. After Frost returned to New Hampshire in 1915, he sent Thomas an advance copy of "The Road Not Taken. Thomas took the poem seriously and personally, and it may have been significant in Thomas' decision to enlist in World War I. Thomas was killed two years later in the Battle of Arras. [2] Analysis [ edit] The Road Not Taken" is a narrative poem. It reads naturally or conversationally and begins as a kind of photographic depiction of a quiet moment in woods. It consists of four stanzas of 5 lines each. The first line rhymes with the third and fourth, and the second line rhymes with the fifth (ABAAB. The meter is basically iambic tetrameter, with each line having four two-syllable feet. Though in almost every line, in different positions, an iamb is replaced with an anapest. The variation of the rhythm gives naturalness, a feeling of thought occurring spontaneously, and it also affects the reader's sense of expectation. [3] In the only line that contains strictly iambs, the more regular rhythm supports the idea of a turning towards an acceptance of a kind of reality: Though as for that the passing there … " In the final line, the way the rhyme and rhythm work together is significantly different, and catches the reader off guard. [4] It is one of Frost's most popular works. Some have said that it is one of his most misunderstood poems, claiming that it is not simply a poem that champions the idea of "following your own path" but that the poem, they suggest, expresses some irony regarding that idea. [5] 1] Frost's biographer Lawrance Thompson suggests that the poem's narrator is "one who habitually wastes energy in regretting any choice made: belatedly but wistfully he sighs over the attractive alternative rejected. 6] Thompson also says that when introducing the poem in readings, Frost would say that the speaker was based on his friend Edward Thomas. In Frost's words, Thomas was "a person who, whichever road he went, would be sorry he didn't go the other. He was hard on himself that way. 7] Regarding the "sigh" that is mentioned in the last stanza, it may be seen as an expression of regret or of satisfaction, but there is significance in the difference between what the speaker has just said of the two roads, and what he will say in the future. [8] According to the biographer Lawrance Thompson, as Frost was once about to read the poem, he commented to his audience, You have to be careful of that one; it's a tricky poem—very tricky. perhaps intending to suggest the poem's ironic possibilities. [6] 9] A New York Times Sunday book review on Brian Hall's 2008 biography Fall of Frost states: Whichever way they go, they're sure to miss something good on the other path. 10] References [ edit] a b Robinson, Katherine. "Robert Frost: The Road Not Taken. Poetry Foundation. Retrieved 9 August 2016. ^ Hollis, Matthew (2011-07-29. Edward Thomas, Robert Frost and the road to war. The Guardian. London. Retrieved 8 August 2011. ^ White, James Boyd (2009. Living Speech: Resisting the Empire of Force. Princeton University Press. ISBN   9781400827534. p. 98 ^ Timmerman, John H. (2002. Robert Frost: The Ethics of Ambiguity. Bucknell University Press. ISBN   9780838755327. 71 ^ Sternbenz, Christina. "Everyone Totally Misinterprets Robert Frost's Most Famous Poem. Business Insider. Retrieved 13 June 2015. ^ a b Thompson, Lawrance (1959. Robert Frost. Minnesota: University of Minnesota Press. ^ Thompson, Lawrance Roger; Winnick, R. H. (1970. Robert Frost: The early years, 1874-1915. Holt, Rinehart and Winston. p. 546. ^ Finger, Larry L. (November 1978. Frost's "The Road Not Taken" A 1925 Letter Come to Light. American Literature. 50 (3) 478–479. doi: 10. 2307/2925142. JSTOR   2925142. ^ Kearns, Katherine (2009. Cambridge Studies in American Literature and Culture. 77. Cambridge University Press. ISBN   9780521109987. 73 ^ Miles, Jonathan (May 11, 2008. All the Difference. New York Times. Retrieved June 13, 2015. External links [ edit] The Road Not Taken at 3 audio readings of The Road Not Taken Information about the poem and about Frost's life Critical essays on "The Road Not Taken" The Most Misread Poem in America " by David Orr, The Paris Review, September 11, 2015.

What a phenomenal trainer, def on my list. Isn't that the beauty of it? Just as the protagonist of the poem, people fool themselves into thinking the same thing. Yet knowing how way leads on to way. Complete Text Two roads diverged in a yellow wood And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; 5 Then took the other, as just as fair And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that, the passing there Had worn them really about the same, 10 And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. 15 I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood and I— I took the one less traveled by, And that has made all the difference. 20 Summary The speaker stands in the woods, considering a fork in the road. Both ways are equally worn and equally overlaid with un-trodden leaves. The speaker chooses one, telling himself that he will take the other another day. Yet he knows it is unlikely that he will have the opportunity to do so. And he admits that someday in the future he will recreate the scene with a slight twist: He will claim that he took the less-traveled road. Form “The Road Not Taken” consists of four stanzas of five lines. The rhyme scheme is ABAAB; the rhymes are strict and masculine, with the notable exception of the last line (we do not usually stress the -ence of difference. There are four stressed syllables per line, varying on an iambic tetrameter base. Commentary This has got to be among the best-known, most-often-misunderstood poems on the planet. Several generations of careless readers have turned it into a piece of Hallmark happy-graduation-son, seize-the-future puffery. Cursed with a perfect marriage of form and content, arresting phrase wrought from simple words, and resonant metaphor, it seems as if “The Road Not Taken” gets memorized without really being read. For this it has died the clichés un-death of trivial immortality. But you yourself can resurrect it from zombie-hood by reading it—not with imagination, even, but simply with accuracy. Of the two roads the speaker says “the passing there / Had worn them really about the same. ” In fact, both roads “that morning lay / In leaves no step had trodden black. ” Meaning: Neither of the roads is less traveled by. These are the facts; we cannot justifiably ignore the reverberations they send through the easy aphorisms of the last two stanzas. One of the attractions of the poem is its archetypal dilemma, one that we instantly recognize because each of us encounters it innumerable times, both literally and figuratively. Paths in the woods and forks in roads are ancient and deep-seated metaphors for the lifeline, its crises and decisions. Identical forks, in particular, symbolize for us the nexus of free will and fate: We are free to choose, but we do not really know beforehand what we are choosing between. Our route is, thus, determined by an accretion of choice and chance, and it is impossible to separate the two. This poem does not advise. It does not say, “When you come to a fork in the road, study the footprints and take the road less traveled by” (or even, as Yogi Berra enigmatically quipped, “When you come to a fork in the road, take it”. Frosts focus is more complicated. First, there is no less-traveled road in this poem; it isnt even an option. Next, the poem seems more concerned with the question of how the concrete present (yellow woods, grassy roads covered in fallen leaves) will look from a future vantage point.

הדרך שלא נבחרה (באנגלית: The Road Not Taken) היא פואמה מאת רוברט פרוסט, שנכתבה בשנת 1915 ונחשבת לאחד משיריו המפורסמים והמצוטטים ביותר ב שפה האנגלית. השיר [ עריכת קוד מקור, עריכה] Two roads diverged in a yellow wood, And sorry I could not trabel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning eqaually lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and l, I took the one less traveled by, And that has made all the difference. תוכן השיר [ עריכת קוד מקור, עריכה] השיר מדבר על הצורך לבחור בין שתי דרכים, כאשר ה משורר, כמטייל, נמצא ב צומת המתוארת כ דילמה הקשה, וההתלבטות שנמשכת למעשה גם לאחר שבחר בדרכו את בחירתו הסופית. בתחילת השיר נמצא המטייל במעבה ה יער בתקופת הסתיו (בבוקר) בין שתי דרכים, ועליו לבחור לאן עליו לפנות. שתי הדרכים הן יפות, בין עצים ועשב, ולכאורה אין עדיפות לאחת משתיהן. גם אם הן שונות מעט זו מזו, עדיין לא ניתן להכריע מי מביניהן עדיפה. המטייל נמצא בדרך ללא מוצא, מאחר שהוא יודע כי לאחר שיבחר בדרך האחת, לעולם לא יוכל לחזור לדרך השנייה, שלא נבחרה. את הדרך (שלא נבחרה) השארתי ליום אחר. אך מידיעתי כיצד בחירה אחת מובילה לאחרת, אני בספק אם אוכל לשוב אי פעם על עקבותי. הבית האחרון בשיר מבהיר כי המשורר, למרות שתמיד יקנן בו החשש פן טעה, שלם כיום עם דרכו. הוא בחר בדרך שפחות הלכו בה, בדרכו האישית והייחודית. השיר מסתיים במילים: הדרכים התפצלו ביער, ואני אני בחרתי בדרך שהלכו בה פחות. זה הדבר שעשה את ההבדל. Two roads diverged in a wood, and I- And that has made all the difference פרשנויות מקובלות [ עריכת קוד מקור, עריכה] בשיר יש כמה ביטויים שמוספים לנפח שלו: הצבע צהוב (yellow) מסמל דבר עתיק, נקודת המבט של המחבר היא בחלוף זמן רב. הפיצול (diverge) מסמל את הדילמות בחיים, המקום בו צריך האדם לקבל החלטה ולבחור. הדרך (road) היא דרך החיים, המסלול שהאדם מובל בו אחרי שלקח החלטה מסוימת. הסבך או המהמורות שבדרך (undergrowth) מסמלים את הדברים שמפריעים לאדם להתקדם בחייו, דברים שמקשים על החלטותיו. עלים שאף צעד עוד לא השחירם (in leaves no step had trodden black) מעידים שמעט מאוד אנשים הלכו בדרך הזאת, או בחרו בבחירה מעין זו. ישנן שתי סיבות אפשריות לכך שבדרך הנבחרת לא צעדו אחרים והדשא עוד לא נרמס. ייתכן שנדרשים לשם כך אומץ והעזה רבים יותר; אך ייתכן גם כי דרך זו אינה ראויה או אינה מובילה למקום בטוח. השיר מדבר על דרכים מתפצלות, כאשר כל בחירה גוררת אחריה עוד בחירה. הכותב מצטער על הדברים שהיה יכול לחוות אילו היה בוחר בדרך השנייה, בה הלכו יותר. שם השיר, המציין דווקא את הדרך שלא נבחרה (The Road Not Taken) עשוי להדגיש כי בכל מהלך ממהלכי חיינו, בכל בחירה, קיימות אינספור אפשרויות אחרות, נעלמות מן העין, אותן הפסדנו ולא נחווה עוד. נשאלת השאלה, האם הכותב מאושר בבחירתו, או מבכה על הדברים שהפסיד, הדברים שלא חווה ולא יוכל עוד לחוות, בדרך שבה לא בחר. את שם השיר ניתן לפרש לשתי משמעויות: המשמעות הראשונה היא שהדרך שלא נבחרה היא הדרך שהכותב לא בחר בה, והמשמעות השנייה היא שהיא הדרך שהלכו בה פחות, שאותה הכותב בחר. בסופו של דבר המשורר מרוצה, כנראה, מהדרך שבחר בה כמטייל, הדרך "שהלכו בה פחות. אך ניכר שלאורך השנים מלווה אותו תחושת החמצה בלתי נמנעת, בשל הדרך שבה לא בחר ושלא הלך בה, דרך שאת טיבה, מרכיביה ויעדה הסופי לא ידע לעולם. כשירים אחרים של רוברט פרוסט, מאופיין גם שיר זה בתיאור יפהפה של נופים קדומים, וכן בסגנון פשוט, ישיר ונוקב. השיר מסתיים באווירה של אגדת ילדים (I shall be telling this with a sigh Somewhere ages and ages hence) אולם למעשה, יש הרואים בסיום קסום זה טעם מתוק-מריר. [1] המטייל שלם עם הבחירה שעשה בעבר באותו יער. הוא מצדיק, בחוכמה שבדיעבד, את בחירתו, ואף מוצא צידוקים כדוגמת "בחרתי בדרך שהלכו בה פחות" כלומר הלכתי בדרכי שלי ולא בתלם שכבשו האחרים. כאן המתיקות. אך האנחה שבשיר, והעצב המריר המלווים את הקביעה הזאת, וגם שמו של השיר, מזכירים לנו שיש דרך שלא נבחרה ולא נוסתה, המותירה אחריה שובל של ויתור והחמצה. תרגומים לעברית [ עריכת קוד מקור, עריכה] אמיר אור (עורך ומתרגם. השביל שלא נבחר' עדנה אולמן-מרגלית, הדרך שלא נבחרה" באתר הארץ מתרגמים שונים, הדרך שלא נבחרה (פורום לתירגום באתר נענע. אליהו ציפר, הדרך שלא נבחרה - אֲשֶׁר אֵין-דֶּרֶךְ לִנְטוֹת. ראו גם [ עריכת קוד מקור, עריכה] דילמה קישורים חיצוניים [ עריכת קוד מקור, עריכה] מיזמי קרן ויקימדיה טקסט בוויקיטקסט: הדרך שלא נבחרה עופרה עופר אורן, הסיפור המפתיע שמאחורי השיר "הדרך שלא נבחרה" בבלוג סופרת ספרים, 8 בדצמבר 2014 הערות שוליים [ עריכת קוד מקור, עריכה.

What can I say... it ain't the country for old men. I was totally lost into this dream. Stunning, magnificent. I stumbled upon you by chance a week ago and have watched a lot of your videos, yet this one remains my favorites. Because it is one of your own compositions? No idea. But the endorsement you have seen in those last 5+ years is amply justified. Keep it up! If I may add. One reason why I prefer this video to your other ones is that. Yes. The harmonies and arrangements are not as complex as your later releases and are highly pleasing to the ear without being overwhelming, if you see what I mean. If I may add, 2. Gather a score of great jazz musicians and vocalists around you and compose! If you could do that at the age of 17, I die to see what you can do now.

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Autoplay next video Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim Because it was grassy and wanted wear, Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I, I took the one less traveled by, And that has made all the difference. Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference.

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. Are you a teacher? Subscribe today to access hundreds of premium teaching resources and lesson plans! close Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference. Footnotes "The Road Not Taken" first appeared in 1916 in Robert Frost's third collection of poetry, Mountain Interval. The release of his previous collection, North of Boston, in 1915 had secured Frost's status as an important voice in modern American poetry. "The Road Not Taken" is the opening poem in Mountain Interval, which may partially explain the poem's tremendous popularity and stature. — Zachary, Owl Eyes Editor The repetition of “I, ” accentuated by the long dash and the line break, serves two purposes. It can be read as a moment of hesitation. Facing the “two roads”—a reiteration of the poems opening line—the speaker falters when forced to make the final decision. The two “I”s can also be read as a statement about the fluidity of personal identity. As a person moves through time and makes decisions, her identity changes. Thus, the repetition of “I” represents the two different versions of the speaker: one before facing the fork, one after. The speaker is resigned to a sense of wistfulness in the future. Even if the speaker will not experience regret outright, the possibilities that lay down the road not taken will forever remain in mind. Another interesting aspect of this statement is that the poem itself seems to be equivalent to the phrase “telling this with a sigh… ages and ages hence, ” particularly considering that the poem describes the events in the past tense. These lines illustrate the speakers irrational confidence in the option to reconsider his decision later, jauntily marked with an exclamation point. This optimism is quickly sobered by the reality that “way leads onto way, ” meaning that the future will just offer more branching decisions. The image of stepped-on leaves turning black represents the notion that the road less traveled is preferable. Taking the final couplet into consideration as well, the poem is commonly read as a testament to the unconventionally lived life. This reading is complicated, however, by the fact that the paths are the same and the leaves are not in fact “trodden black. ” Frost controls the sounds of his words to produce beautiful phrases that, in many cases, trigger a specific effect. In this phrase, the three syllables beginning with l fluctuate from a hard e vowel sound to a hard a sound back to a hard e sound. The effect is a sonic symmetry that reflects the symmetry of the image: two paths equally covered in fall leaves. This couplet clues us into the truth of the decision: the two paths are the same. Despite the speakers attempts to rationalize the value of one path over the other, it is clear that there is no substantial difference. This moment introduces a strain of irony that undermines the seriousness with which the speaker considers the decision. The image of a path bending back behind the brush is a powerful image for the unknowability and unpredictability of the future. The speakers dilemma stems from his ignorance of where each path will lead. Although Frost warned in his writings that all metaphors “break down at some point, ” this is a moment where the use of metaphor is apt. The “yellow” of the woods gives the scene an autumn setting. In this context, the seasons of the year may be read as a metaphor for the seasons of the human life, with autumn symbolizing midlife. “The Road Not Taken” employs iambic tetrameter, a metrical scheme that features four beats to the line. This meter gives the poem a sense of propulsion and forward movement, fitting for a poem about a traveler. The rhyme scheme in each of the four stanzas is ABAAB. The third A rhyme, which causes each stanza to lag by one line, gives the poem a sense of deliberation. These moment of hesitation before the resolution of each stanza represent the speakers hesitation in choosing a road. — Zachary, Owl Eyes Editor.

 

The Animation and Music makes the poem just perfect. Then took the other, as just as fair. Welcome to the new decade. One of the most widely quoted poems ever written, “The Road Not Taken” was completed in 1915 and first published in Frosts volume Mountain Interval (1916. Taught in high school classrooms across the English-speaking world, its become popular as a depiction of rugged individuality, of “straying from the beaten path. ” But is it that simple? According to critic William Pritchard: Frost] characterized himself in that poem particularly as ‘fooling my way along. He also said that it was really about his friend Edward Thomas, who when they walked together always castigated himself for not having taken another path than the one they took. When Frost sent ‘The Road Not Taken to Thomas he was disappointed that Thomas failed to understand it as a poem about himself, but Thomas in return insisted to Frost that ‘I doubt if you can get anybody to see the fun of the thing without showing them and advising them which kind of laugh they are to turn on. And though this sort of advice went exactly contrary to Frosts notion of how poetry should work, he did on occasion warn his audiences and other readers that it was a tricky poem. Yet it became a popular poem for very different reasons than what Thomas referred to as ‘the fun of the thing. It was taken to be an inspiring poem rather, a courageous credo stated by the farmer-poet of New Hampshire. In fact, it is an especially notable instance in Frosts work of a poem which sounds noble and is really mischievous ( Frost: A Literary Life Reconsidered, 1984) Structure The poem comprises four stanzas of five lines each, known as quintains. The rhythm is varied; there is no clear metrical pattern, but strong use of enjambment creates a ‘conversational flow that is intimate and seems informal, as if the poet is ‘talking to the reader. The rhyme scheme throughout is ABAAB, Language and Imagery The voice is that of the poet or narrator, using the first person ‘I. The language is simple and accessible, though the ideas are more complex than they seem. The overriding or extended metaphor is that of the road and the journey, representing life and its choices — or lack of them.

Wait they answered the question in this movie that how minions give birth they lay eggs That is very crucial matter and they put that in the trailer This movie sucks hard. Ive been to many of these places with my school but never took it in... I must travel around again. Day trips will get ye to any of these azing. 1 nomination. See more awards  » Production Notes from IMDbPro Status: Completed, See complete list of in-production titles  » Updated: 7 February 2019 More Info: See more production information about this title on IMDbPro. Edit Storyline Sally Potter's THE ROADS NOT TAKEN follows a day in the life of Leo (Javier Bardem) and his daughter, Molly (Elle Fanning) as she grapples with the challenges of her father's chaotic mind. As they weave their way through New York City, Leo's journey takes on a hallucinatory quality as he floats through alternate lives he could have lived, leading Molly to wrestle with her own path as she considers her future. Plot Summary Add Synopsis Details Release Date: 13 March 2020 (USA) See more  » Also Known As: Company Credits Technical Specs See full technical specs  » Did You Know? Trivia The original film of the name was slated to be "Molly" See more ».

I think the sigh and the dashes are tones of satisfaction, like I'm really happy and I don't regret the choice I made.